Five years ago, when Mike Robin and I were still doing The Closer, I was contacted by the Emmy Academy asking if someone from their intern program could join the writer's room. I said yes, because we can always use an extra pair of hands, and I thought it might be useful for a student to observe (and maybe participate in) the active life of a television series. Very shortly after that positive response, I was inundated with potential candidates. Instead of culling through all their resumes and "on-camera introductions" myself, I handed off the bulging box of applicants to Carson Moore and Ralph Gifford — at that time, the youngest and newest writers on the show - and asked them to find me the top five likely candidates; in their submitted mix was a young woman named Kendall Sherwood.
From the day she first appeared...
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